All John Constable Oil Paintings
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John Constable Boat-Building on the Stour oil painting


Boat-Building on the Stour
Painting ID::  44233 		Artist: John Constable
Painting: Boat-Building on the Stour
Introduction: 1814-15 Oil on canvas, 25 x 30 cm
   
   
     

 

 

 
 

 

 

 
John Constable The Stour-Valley with the Church of Dedham oil painting


The Stour-Valley with the Church of Dedham
Painting ID::  44235 		Artist: John Constable
Painting: The Stour-Valley with the Church of Dedham
Introduction: 1814 Oil on canvas, 55,5 x 77,8 cm
   
   
     

 

 

 
 

 

 

 
John Constable Weymouth Bay, with Jordan Hill oil painting


Weymouth Bay, with Jordan Hill
Painting ID::  44244 		Artist: John Constable
Painting: Weymouth Bay, with Jordan Hill
Introduction: 1816 Oil on canvas, 53 x 75 cm
   
   
     

 

 

 
 

 

 

 
John Constable Malvern Hall in Warwickshire oil painting


Malvern Hall in Warwickshire
Painting ID::  44245 		Artist: John Constable
Painting: Malvern Hall in Warwickshire
Introduction: 1809 Oil on canvas, 51 x 77 cm
   
   
     

 

 

 
 

 

 

 
John Constable View of Malvern Hall,Warwickshire oil painting


View of Malvern Hall,Warwickshire
Painting ID::  48603 		Artist: John Constable
Painting: View of Malvern Hall,Warwickshire
Introduction: mk190 1809
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Giovanni Battista Paggi | William Marlow | Blythe David Gilmour | Martin van Meytens | Michel Gobin |

 

 

 
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